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It's crazy how much you can learn from a seemingly little piece of media. In music, the arrangement of musical notes is largely about leading the listener to the emotions and instruments that we feel. This is why movie scores are often notated using special symbols and lighting cues. Now, imagine an audio clip with no lyrics: That would be like a generic tune that has no identity associated with it. This article will help you create your own unique audio by breaking down layers of sound design; introducing melodic ideas; working with rhythm; and suggesting ways to eliminate unwanted sounds through frequency limiting, cutting out undesired frequencies, or turning down volume control on problematic frequency bands. 1. Breakdown A Single Sound Design Layer The easiest way to get started is by breaking it down into an individual layer. Start by recording something with a mic on your computer, or rip an audio file that you'd like to work on. We'll use this tutorial's audio file that's available on the internet for free download. Let your ears be the primary feedback device during this stage. Listen for either obvious traits of frequency components, or any type of instrumentation in the composition. Keep in mind that if your audio file is clipping, gain reduction can be used to change the gain of the audio input to create a clean output. Though, it may be easier to use an external VST plug-in such as Maximizer, Waves MaxxBass and Guitar Amp Room in this instance. 2. Add Melodic Ideas in Guitar and Bass: From Soloing to Guitar Harmony Start by recording a guitar or bass track with a mic directly into your audio editing program. Now we'll add some simple melodic ideas in order to start thinking about rhythm and structure later on. We'll do this by creating what we call rhythmic variations on the same musical idea. Any time we hear a riff or lead that we like, we can use that as a starting point for our idea. If you listen to the guitar part below, you'll notice that there are two basic guitar licks, with one being more common through most of this song. The way to think about it is that these variations are created by either adding notes or removing notes from the same musical idea. However, the most important thing is to be creative about how these parts are modified or added on top of each other. Here's a guide on how we'll modify this part: Record the main idea, which you could call the riff or lead in the song Record an extra guitar track using the same part, but add a few notes to change it. You can modify this part by adding notes in the higher octave range, and/or making small modifications to your original part. Record another guitar track using your modified idea. Add a third guitar that plays what you already recorded. Simplify and edit the existing parts into one that loop well and sounds complete. eccc085e13
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